Japanese Anemone

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My art is an extension of my connection to nature and my physical surroundings. The two go hand-in-hand. My process rarely begins in my studio — I am constantly documenting beautiful things that catch my eye with sketches and photos. Watercolour and gouache paints provide me a range of transparency to complete opacity which works well with my floral subject matter. I love to experiment on different surfaces and papers. Most recently I've been using heavy, handmade papers in different colours and even paper-backed silk. I often have unpredictable results using water-based paints on these different substrates to which I adjust with a playful approach. I am drawn to floral work because it involves so much light, depth, and transparency. I am able to make my paintings come alive by adjusting perspective, using lively brushstrokes, and incorporating deep jewel tones. I love the juxtaposition of the temporary nature of cut flowers with the permanence of what I paint. While my work may be considered still-life, it is never inert. I aim to breathe life into each piece. In all of my work you will see the influence of period homes, antique furniture, and textiles. I see myself as a person who could float through time, finding joy and inspiration in many eras. By blending nostalgia with elements that compel people to stay in the present, I hope to rouse feelings of comfort and hope.

Where it's been: Riverdale Art Walk, Summer Smalls Festival